Music and Immortality(Simplified summary for the students)
Mian Tansen
was India’s greatest musician. His tomb was built under the shaded branches of
a tamarind tree six hundred years ago. According to the popular belief, anyone
can increase his music skills by eating just one leaf of that tree.
Tansen was
born to his parents after they had got the blessings from the great sufi saint
and musician Hazrat Mohammad Ghaus. Tansen’s father Mukund MIshra was a wealthy
poet and musician. He named his son as Tansen, the master of ‘taan’, or musical
notes because he hoped that his .
But Tansen
showed no interest in music and studies as well as he grew up. Instead, he
preferred spending his time in the forest chasing animals and imitating their
sounds.
One day, a
group of travelers was passing through the forest. He was sitting on a tree
chirping like the sparrows.
Suddenly he
saw a group of travelers passing through the forest. As they came nearer, he
took a long breath and produced a loud roar. The passengers thought that a lion
was there at some nearby place, so they ran away by dropping their luggage
there. But, when they heard a boy laughing at them, they understood that they
had been fooled by him.
An old man
in that group of travelers gestured to Tansen to come down from the tree. But
the boy feared punishment from them, so refused to do so.
The old man
convinced him telling that he was not angry with him and he just wanted to talk
to him about his great talent.
Tansen
descended (came down) from the tree feeling a little bit cautious about what
might happen to him.
That old man
was Guru Haridas, a renowned saint and music teacher.
Tansen took
him to his house where his parents recognized the great musician and felt
honoured at his visit.
Guru Haridas
told Mukund Mishra about Tansen’s great talent and that he had a great range of
voice, which was a great gift of God to him. He also told Tansen’s father that
he wanted to take him to his ashram to make his shishya (disciple).
After that
Tansen started learning the traditions of Indian classical music at Guru
Haridas’s Ashram in Vrindavan. He started from the basic ‘sargam’ and also
learnt the essence of each raga and how to sing it so as to create the right
mood at the appropriate time of the day.
Guru Haridas
also taught him the technique of how to make his voice emanate (to come from)
the pit of his belly. He also taught him how to twist the notes in his throat
to produce the right ‘sur’(note) at the right pitch (the depth of voice).
One day,
having perfected in difficult raga, Tansen sang in in front of his Guru. He
expected appreciation as he finished the raga, but he saw sadness and
disappointment in his Guru’s eyes. Feeling hurt, he picked up his ‘taanpura’
and was prepared to go.
Then Tansen
said, ‘Forgive me son, I have failed you.’
‘I thought I
have been teaching you music but it appears that I have taught you notes.’
Tansen
replied that he just sang the raga accurately (correctly) and did no mistake.
Guru Haridas
agreed and said that it was true that he had sung the raga correctly, but he
had failed to evoke (to bring a feeling or an image in mind) the spirit of the
raga.
Then Tansen
realized his mistake and hung his head in shame. He also said that he was at
fault because he could not understand the difference between the expression and
merely singing the notes. He requested his Guru to repeat the lesson again and
also promised to him that he would listen to it carefully.
Guru Haridas
told him that unless the music came from his soul, it was not music. It was
just a combination of notes. The soul is true alchemist that changes simple
notes into music. Each note should be allowed to draw its pure expression from
the soul.
From that day, Tansen followed his Guru’s
advice and his notes became a living, breathing element.
After that,
nature responded to his singing. When he sang ‘Raga Todi’ to evoke the animal
spirits, squirrels, deer, and rabbits came running into the ashram. When he
sang ‘Megh Malhar’, clouds began to form in the sky.
Tansen got
training in music for ten years from his Guru. When he was about twenty, his
father died and soon after that, his mother also passed away. Just before his
death, his father had told him to go and see ‘Pir Baba’ Mohammad Ghaus in
Gwalior.
The old Pir
was very happy to meet the boy and to know that he had already got training
from great Guru Haridas. He told Tansen that his training in the ashram was
over and it was time for him to begin his training in the real world. He also
advised him to get his Guru’s permission before doing that.
After taking
leave from Guru Haridas, Tansen started living with Mohammad Ghaus. He spent
next three years perfecting his skills under Ghaus’ guidance. During this
period, he was sent to Gwalior’s court and also to hear other musicians there.
One day,
Tansen saw a beautiful woman in the king’s court. His mind was distracted from
his practice. He became absentminded while practicing at home also. In the
middle of a ‘taan’, his fingers would pause on the strings of the ‘taanpura’
and his voice would falter (waver).
Mohammad
Ghaus made enquiries for that and found that Tansen had fallen in love with a
woman, named Hussaini, the king’s lady-in-waiting. Mohammad met the king and
with his permission, arranged Tansen’s marriage with him.
From that
day, a new element entered Tansen’s music, the element of love, mortal love
soaring to the height of heavenly love.
Soon the
world also came to know about Tansen. The King of Rewa, Raja Ramchandra, a
partron of music also came to know about him. On his invitation, Tansen, along
with his family, went to the court of the King of Rewa. As his talent
flourished more, he became the king’s chief musician.
One day,
Akbar also happened to listen to Tansen at Rewa and he was mesmerized
(enthralled, captivated) by Tansen’s voice. After the music was over, he kept
sitting with his closed eyes revelling (enjoying) the perfection of his music.
After that
Ramachandra had to send Tansen to Akbar’s court as a gift. At his court in
Agra, Emperor Akbar gave him warm welcome. The following morning, he received a
message from the Emperor, requesting him to perform at a celebration that
evening. Tansen knew that it would be a test of all his years of training. He
decided to sing his newly composed ‘Raga Durbari Kanada’.
The royal
durbar was crowded that evening. As Tansen arrived, the Emperor Akbar led him
to the ‘asan’ (seat), the doors of the courtroom were closed lights were made
dim and the voices of the people were silenced. Soon the ‘taan’ began to pour
out of Tansen’s mouth. It was like a divine waterfall. The listeners felt that
they were not on the earth, rather they had entered some heavenly place. There
was a long silence as he finished singing. Then the applause (appreciation by
clapping) began. It grew and grew. People stood up and cheered, some with tears
into their eyes. Tansen showed humility by bowing his head. The emperor was
also standing and cheering in appreciation. From then, he was made one of the ‘navratnas’
of his court.
In this way,
with the spread of his fame and being the favourite of the Mughal Emperor, the
other musicians started feeling jealous of him. They would challenge him to
sing more difficult ragas and he defeated them in every contest. One day they
proposed to the Emperor that Tansen should be told to sing Deepak Raga. This
raga if sung by a true master invokes fire. It can not only invoke fire but
also can burn the singer.
Tansen
accepted the challenge although the Emperor told him to reconsider his decision
because he did not want to lose him. He told the Emperor Akbar that he could be
saved if anyone could sing ‘Raag Megh’ when he was singing Rag Deepak.
With the
permission of the Emperor, a girl named Rupa was brought to Agra and she was
trained by Tansen to sing the ‘Rag Megha’.
On the sixteenth
day, the court was prepared for the big event. Large unlit lamps were placed
around Tansen’s ‘aasan’. A big bowl of cold water was put on the table and a
pile of dry wood was stacked in the courtyard.
Hussaini sat
worried in the women’s enclosure. Rupa also kept praying to Goddess Sarswati to
grant her power to sing the ‘raag Megh’.
Finally with
Akbar’s signal, Tansen began his ‘alaap’.
Gradually the people sitting there began to feel unnatural warmth. When
Tansen changed into the ‘jod’ (the body of the song), the heat became almost
unbearable and everyone began to sweat. As he reached the climax of the first ‘taan’,
the dry wood in the court got flames. One by one, the unlit lamps became lit
with flames. The water in the bowl also started boiling. Although the men in
the court were face unbearable heat, yet they were hypnotized by the great
singing. Now the heat started consuming Tansen from inside. Rupa was ordered to
sing Megha, but her lips were made paralysed by the power of Tansen’s music.
But, when
she heard Hussaini wailing bitterly, her trance was broken and she was able to
sing Raag Megha. Her singing had no effect on Tansen’s body which had begun to
sag, and finally he collapsed on the floor.
A cry of
despair broke out from everyone’s throat.
Finally Rupa’s voice picked up power and she was successful
in invoking elements in the sky. The clouds gathered and rain poured down from
the sky. The courtier took Tansen outside under th cooling rain. As Rupa
stopped, Tansen opened his eyes. Really, Mian Tansen immortalized his music.